THE CONTEMPORARY USES-AND-ABUSES OF “DAYLIGHTING” HAS ONLY REINFORCED THE SOCIOPOLITICS OF THE ELECTRIC LIGHT, THIS BEGS THE QUESTION OF HOW THE OMNIPRESENCE OF INTERIOR ILLUMINATION WORKS TO DESTABILIZE THE SOVEREIGNTY OF PROGRAM  --  ANYTHING CAN HAPPEN ANYWHERE.

THE MOSQUE IS CONCEIVED OF AS AN EXCAVATION OF ITS FUTURE SELF.  CAVERNOUSLY CARVED INTERIOR SPACES TETHER OCCUPATION TO THE CONTINUALLY CHANGING ANGLE OF THE SUN, DISRUPTING LOCATIONAL PERMANENCE. THE WORK RESULTS IN AN AMALGAMATION OF FRAGMENTED NARRATIVES AND DIDACTIC SUGGESTIONS THAT ALLUDE TO ARCHEOLOGICAL AMBIGUITY AND SUBSTANCE FATIGUE OF THE FLEETING PRESENT.